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With his Pages dun manuscrit oubliè Rebikov made another contribution in the style of his piano miniatures. The seven pieces shed light on his position as a pioneer of Russian Modernism. At first sight these compositions present themselves as highly playable student literature, but the interesting philosophical ideas nurtured by Rebikov, who saw music as a pure vehicle of feeling, and demanded that these effects be achieved by as few notes as possible, open up a different perspective on these gems, revealing essential elements of expressionism in Russia.

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Keywords: rebikov;piano;manuscrit
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